The full record
Feature films, documentaries and television across two decades. Where a picture was directed by someone else, that is stated. Where a project was developed and never shot, it is still here: a credit roll that only lists what got made is not the record.
Four actors rehearse an upcoming West End play in a centuries-old London theatre when their secret affairs with one another are revealed. In twist after twist they try to outwit each other, which soon spirals into murderous consequences.
A rogue NSA agent joins an elite group of Native American trackers who call themselves the Shadow Wolves to protect the US border. Based on McKay’s original script, and on the real unit created by an Act of Congress in 1974.
A feature-length documentary examining Iran’s legacy of terror and its patient, long-term strategy to build the most formidable military in the Middle East. Bringing together some of the world’s leading experts on the subject, it explores the mullahs’ ultimate objective, their clandestine activities in Europe, Latin America and the United States, and offers policy prescriptions to avoid reaching the point of no return.
The television series based on the New York Times best selling books by Richard Paul Evans. Written and produced by McKay Daines and Tom Reeve. Directed by McKay Daines.
The story of the lost children and of the jump team’s exploits as they investigate and liberate enslaved children from around the world, following Special Agent Tim Ballard after he left the United States government to reach the children falling outside its purview.
An adaptation of Herman Melville’s Moby Dick, set in a medieval realm where Captain Ahab and crew hunt dragons for the vitriol that powers their world. Ishmael, a charismatic harpooner, joins their quest. Ahab’s obsession is to seek revenge on a great White Dragon that slaughtered his family when he was young.
Still grieving over the loss of his wife, widowed lawyer Jim Crawford discovers a pack of orphaned wolf cubs who face certain death unless he takes them in. Unprepared for the task, but unwilling to see them suffer, he takes them into his care and keeping, with the help of an offbeat angel.
Sierra Young is a rising ingénue making $10 million per picture. She is also a spoiled brat, and after a tantrum the director has her sent to a rehab clinic in a remote Utah town. Within a day she has run away and been taken in by Nettie, who runs a bed and breakfast inn. In a small town of real people, will she find herself first?
Three couples whose stories are entwined at a dance. As the music plays on, they delve a little deeper into their hearts to reveal the steps they need to take in their relationships. The Dance unveils the passion, heart-ache and hope to which any couple can relate.
Two pictures produced with Tom Reeve: Laura Marlin, shot on location in Clevedon, England, and Miss. Dolittle, shot in part at Hogle Zoo.
Joan of Arc. Developed with Ron Maxwell, McKay’s partner at Westie Films.
Return of the Ripper. Two paranormal amateur investigators accidentally conjure up Jack the Ripper. Distribution was set with Metrodome and Vinnie Jones was attached; the picture was never shot.
